ื—ื ื•ืช ืžืงื•ื•ื ืช ื™ืฆื™ืจืช ืงืฉืจ ืื•ื“ื•ืชื™ื ื•
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ื”ืฉื•ืื”
ืžื‘ื•ื
ืžื—ืงืจ ื•ืื•ืกืคื™ื
ืื•ืกืคื™ื
ืžืื’ืจ ืฉืžื•ืช ืงืจื‘ื ื•ืช ื”ืฉื•ืื”
ืžืื’ืจ ื”ืชืฆืœื•ืžื™ื ื”ืžืงื•ื•ืŸ
ืžืื’ืจ ื—ืกื™ื“ื™ ืื•ืžื•ืช ื”ืขื•ืœื (ื‘ืื ื’ืœื™ืช)
ืžืื’ืจ ื”ืžืกืžื›ื™ื
ืขื“ื•ื™ื•ืช ื ื™ืฆื•ืœื™ ื”ืฉื•ืื”
ืืชืจื™ ืจืฆื— ืฉืœ ื”ื™ื”ื•ื“ื™ื ื‘ืฉื˜ื—ื™ื ื”ื›ื‘ื•ืฉื™ื ืฉืœ ื‘ืจื™ืช ื”ืžื•ืขืฆื•ืช ื‘ืชืงื•ืคืช ื”ืฉื•ืื” (ื‘ืื ื’ืœื™ืช)
ืžืื’ืจ ื”ืžื™ื“ืข ืฉืœ ื”ืฉื™ืœื•ื—ื™ื ื‘ืชืงื•ืคืช ื”ืฉื•ืื”
ืกืคืจื™ื™ื”
ืงื˜ืœื•ื’ ื”ืกืจื˜ื™ื
ืื•ืกืฃ ื”ื—ืคืฆื™ื
ืขืœ ื”ืืจื›ื™ื•ืŸ
ืขืœ ืžื›ื•ืŸ ื”ืžื—ืงืจ
ื”ื ืฆื—ื”
ืžื‘ื•ื
ื™ื•ื ื”ื–ื™ื›ืจื•ืŸ ืœืฉื•ืื” ื•ืœื’ื‘ื•ืจื” ืชืฉืค''ื’
ื™ื•ื ื”ื–ื™ื›ืจื•ืŸ ืœืฉื•ืื” ื•ืœื’ื‘ื•ืจื” ืœืื•ืจืš ื”ืฉื ื™ื
ื‘ื—ืจื ื• ื‘ื—ื™ื™ื: ื ื™ืฆื•ืœื™ ื”ืฉื•ืื” ื•ืžื“ื™ื ืช ื™ืฉืจืืœ
ืืจื›ื™ื•ืŸ ืกืจื˜ื™ ืžื“ืœื™ืงื™ ื”ืžืฉื•ืื•ืช
ืฉืžื•ืช ืงืจื‘ื ื•ืช ื”ืฉื•ืื”
ื”ื•ืจื“ืช ื“ืคื™ ืขื“
ืฉืืœื•ืŸ ืœืจื™ืฉื•ื ื ื™ืฆื•ืœื™ ืฉื•ืื”
ืฉืœื™ื—ื™ ื–ื™ื›ืจื•ืŸ โ€“ ืชื›ื ื™ืช ืœื‘ื ื™ ื•ื‘ื ื•ืช ืžืฆื•ื•ื”
ื”ืจืฆืื•ืช ืžืชืงื•ื•ื ื™ื ืœื–ื™ื›ืจื•ืŸ
ืคืจื•ื™ืงื˜ ืื™ืกื•ืฃ ื”ืฉืžื•ืช
ื™ื•ื ื”ืฉื•ืื” ื”ื‘ื™ืŸ ืœืื•ืžื™
ื’ื‘ื™ื™ืช ืขื“ื•ืช ื•ื™ื“ื™ืื•
ื—ื™ื ื•ืš ื•ื”ื•ืจืื” ืžืชื•ืงืฉื‘ืช
ืžื‘ื•ื
ืžื•ื–ื™ืื•ืŸ ื•ืชืขืจื•ื›ื•ืช
ื”ืžื•ื–ื™ืื•ืŸ ืœืชื•ืœื“ื•ืช ื”ืฉื•ืื”
ื”ืžื•ื–ื™ืื•ืŸ ืœืืžื ื•ืช ื”ืฉื•ืื”
ื—ืกื™ื“ื™ ืื•ืžื•ืช ื”ืขื•ืœื
ืžื‘ื•ื
ืื•ื“ื•ืช ื—ืกื™ื“ื™ ืื•ืžื•ืช ื”ืขื•ืœื
ืื•ื“ื•ืช ืžืคืขืœ ื”ื”ื›ืจื” ื‘ื—ืกื™ื“ื™ื
ืžืื’ืจ ื—ืกื™ื“ื™ ืื•ืžื•ืช ื”ืขื•ืœื (ื‘ืื ื’ืœื™ืช)
ืฉื•ืžืจ ืื—ื™ ืื ื•ื›ื™ - ืžืคืขืœ ื”ื”ื›ืจื” ื‘ื—ืกื™ื“ื™ ืื•ืžื•ืช ื”ืขื•ืœื
ืžื‘ื—ืจ ืกื™ืคื•ืจื™ื
ืฉืžื•ืช ื•ืžืกืคืจื™ื ืฉืœ ื—ืกื™ื“ื™ ืื•ืžื•ืช ื”ืขื•ืœื
ืฉืืœื•ืช ื ืคื•ืฆื•ืช
ื™ื“ ื•ืฉื ืžื‘ืงืฉ ืืช ืขื–ืจืชื›ื
ื”ื’ืฉืช ื‘ืงืฉื•ืช ืœื”ื›ืจื” ื‘ืžืฆื™ืœื™ื
ืฆื•ืจ ืงืฉืจ
ื‘ื™ืงื•ืจ ื‘ื™ื“ ื•ืฉื
ื”ื–ืžื ืช ื‘ื™ืงื•ืจื™ื ืžืงื•ื•ื ืช
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Rosa Von Praunheim
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Isabelle Darmengeat
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Marko Mamuziฤ‡
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ื™ื“-ื•ืฉื - ืจืฉื•ืช ื”ื–ื™ื›ืจื•ืŸ ืœืฉื•ืื” ื•ืœื’ื‘ื•ืจื”
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ื”ืฆืœื”
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ืžืกืชื•ืจ
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ื—ื™ื™ืœื™ื ื’ืจืžื ื™ื
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ื’ื™ืจื•ืฉื™ื
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ื’ื˜ื•
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ืงื”ื™ืœื•ืช ื™ื”ื•ื“ื™ื•ืช
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SS - Schutzstaffel
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37 globalSearch.onlyResults
The Descendants Project
This documentary is the up close and personal account of two friends looking for the truth about their families past. In Germany and Poland, their journey becomes a raw and unapologetic discovery of how WWII inheritance impacts their friendship three generations later. Turning the tables on traditional ancestral research, Katinka and Michal seek out other 3rd and 4th generation "descendants" to discuss how WWII Holocaust history is relevant in their lives today. A profoundly personal story, The Descendants Project explores layers of remembrance beneath the surface of a friendship.
results.listIds.director : Katinka Kraft, Michal Blum
results.listIds.year : 2009
ื“ื•ืจ ืฉืœื™ืฉื™
ื”ื•ืžื•ืกืงืกื•ืืœื™ื ื•ืœืกื‘ื™ื•ืช
ื—ื™ืคื•ืฉ ืงืจื•ื‘ื™ื
ึน
Two Mothers - The Search Began in Riga
Born in Riga in 1942, filmmaker Rosa Von Praunheim grew up in Germany. When his mother told him a few years before her death at the age of 94 that he was adopted from a children's home in Riga during the German occupation, a whole new chapter in his life opened up. It was only after her death in 2003 however that he went looking for his biological mother and father. The documentary describes in a virtually chronological order the quest for his roots. Along the way, he comes into contact with countless witnesses and archivists, who illuminate the horrors of the Second World War from different perspectives with...
results.listIds.director : Rosa Von Praunheim
results.listIds.year : 2007
results.listIds.duration : 87
results.listIds.lang : German
ื”ื•ืžื•ืกืงืกื•ืืœื™ื ื•ืœืกื‘ื™ื•ืช
ึน
ืžื—ืงืจ ืขืœ ื”ื•ืžื•ืกืงืกื•ืืœื™ื ื‘ืชืงื•ืคืช ื”ืจื™ื™ืš ื”ืฉืœื™ืฉื™
ื‘ืงืœื˜ืช ืžื•ืคื™ืข ื“"ืจ Jack porter ื‘ื”ืจืฆืื” ืฉื›ื•ืชืจืชื”: "And Ourselves Facing History".
results.listIds.year : 1989
results.listIds.duration : 63
results.listIds.lang : English
ื”ื•ืžื•ืกืงืกื•ืืœื™ื ื•ืœืกื‘ื™ื•ืช
ึน
De soie et de Cendre
In 1936, Martha, a carefree young woman, left the convent where she was educated. It clashes with his father, a rigid sub-prefect, who refuses to let him develop his gift for visual arts. Disillusioned, she married on a whim Antoine Maurel, director of a weaving of silk from Lyons. Early in their marriage, Antoine is tender and attentive. It encourages Martha to work on models of the luxury of silk but the leaves every night at the door of their room. When discovered her husband's homosexuality, Martha, initially disturbed, ultimately chooses to support it. It lives almost a passionate love with Dimitri...
results.listIds.director : Jacques Otmezguine
results.listIds.year : 2003
results.listIds.duration : 105
results.listIds.lang : French
ื”ื•ืžื•ืกืงืกื•ืืœื™ื ื•ืœืกื‘ื™ื•ืช
ึน
ื“ื ื—ื
ืกืจื˜ ืชืขื•ื“ื™ ื”ืขื•ืกืง ื‘ืชื ื•ืขื•ืช ื ื™ืื•-ื ืืฆื™ื•ืช, ืคืฉื™ืกื˜ื™ื•ืช, ื’ื–ืขื ื™ื•ืช ื•ืื ื˜ื™ืฉืžื™ื•ืช ื‘ืกืจื‘ื™ื” ื”ื™ื•ื ื‘ืืžืฆืขื•ืช ืจืื™ื•ื ื•ืช ืขื ืื ืฉื™ื ืžืชื—ื•ืžื™ ืขื™ืกื•ืง ืฉื•ื ื™ื (ื—ื‘ืจื”, ืคืกื™ื›ื•ืœื•ื’ื™ื”, ืขื™ืชื•ื ื•ืช, ื›ืžื•ืจื”), ืจืื™ื•ื ื•ืช ืขื ืžื›ื—ื™ืฉื™ ืฉื•ืื” ื•ื ื™ืื• ื ืืฆื™ื, ืขื“ื•ื™ื•ืช ืขืœ ืžืขืฉื™ ืืœื™ืžื•ืช ื•ื—ื•ืžืจื™ ืืจื›ื™ื•ืŸ (ืชืฆืœื•ืžื™ื ืžืŸ ื”ืฉื•ืื”, ืกืจื˜ ื”ืชืขืžื•ืœื” ื”ื ืืฆื™ ืขืœ ื˜ืจื–ื™ืŸ). ื›ื•ืœืœ ืกืงื™ืจืช ืชื•ืคืขื•ืช ืืœื™ืžื•ืช ื ื’ื“ ื–ืจื™ื ื•ื‘ืขื™ืงืจ ืฆื•ืขื ื™ื, ื”ืคื’ื ื•ืช ื ื™ืื•-ื ืืฆื™ื•ืช ื‘ื ื•ื‘ื™ ืกืื“ ื‘- 2007, ื—ื™ืœื•ืœ ื‘ื™ืช ืงื‘ืจื•ืช ื™ื”ื•ื“ื™ (ื›ื•ืœืœ ืงื‘ืจื™ ื—ื™ื™ืœื™ื ื™ื”ื•ื“ื™ื-ืกืจื‘ื™ื ืฉื ืคืœื• ื‘ืžืœื”"ืข ื”- 1), ื”ืชื ื›ืœื•ื™ื•ืช ื ื’ื“ ืžืฉืชืชืคื™ื ื‘ืžืฆืขื“ ื’ืื•ื•ื” ื‘ื‘ืœื’ืจืื“, ืฉืืœืช ืงื•ืกื•ื‘ื•.
results.listIds.director : Marko Mamuziฤ‡
results.listIds.year : 2008
results.listIds.duration : 52
results.listIds.lang : Serbian-Croatian
ืื ื˜ื™ืฉืžื™ื•ืช ืื—ืจื™ ื”ืžืœื—ืžื”
ื’ื–ืขื ื•ืช
ื”ื•ืžื•ืกืงืกื•ืืœื™ื ื•ืœืกื‘ื™ื•ืช
ื”ื›ื—ืฉืช ื”ืฉื•ืื”
ื”ืคื’ื ื•ืช
ึน
ืื”ื•ื‘ื™ ื”ื’ื‘ืจื™ื
During the Nazi regime, 100,000 men were arrested for homosexuality and 15,000 were deported, including 210 Frenchmen. After the depenalization of homosexuality, only one of the deported men from France had the courage to go public about an extradition that even now is not officially recognised. Alternating excerpts from Pierre Seel's autobiography "Moi Pierre Seel, dรฉportรฉ homosexuel" and conversations with militant gays, "Amants des hommes" seeks to shed light on a forgotten history, linking the past with the present and yesterday's homophobia with that of today.
results.listIds.director : Isabelle Darmengeat
results.listIds.year : 2006
results.listIds.lang : French
ื”ื•ืžื•ืกืงืกื•ืืœื™ื ื•ืœืกื‘ื™ื•ืช
ึน
ืื”ื‘ื” ื‘ืžื—ื‘ื•ื
ืกืจื˜ ืขืœื™ืœืชื™ ื‘ืื•ืจืš ืžืœื. ืกื™ืคื•ืจ ืื”ื‘ืชื ืฉืœ ืฉื ื™ ื’ื‘ืจื™ื ื’ืื™ื ื‘ืฆืจืคืช ื‘ืžืœื—ืžืช ื”ื•ืขืœื ื”ืฉื ื™ื™ื”. ื”ืื—ื“ ืคืขื™ืœ ื‘ืžื—ืชืจืช ื”ืฆืจืคืชื™ืช, ื”Resistance ื•ื”ืื—ืจ ื‘ืŸ ืœืžืฉืคื—ื” ื™ื”ื•ื“ื™ืช , ืขื•ื‘ื“ ื‘ืžื›ื‘ืกื” ื”ืžืฉืคื—ืชื™ืช. ื”ืฉื ื” ื”ื™ื 1942, ืฉื ื™ ื”ื’ื‘ืจื™ื ืžืกืชื™ืจื™ื ืืช ืื”ื‘ืชื ืžื‘ื ื™ ืžืฉืคื—ื•ืชื™ื”ื ื•ืžืฆื‘ื ื”ื›ื™ื‘ื•ืฉ ื”ื ืืฆื™. ืื”ื•ื‘ืช ื ืขื•ืจื™ื• ืกื™ืคื•ืจื ืฉืœ ืขื•ื‘ื“ ื”ืžื›ื‘ืกื” ืžื•ืคื™ืขื” ืคืชืื•ื, ืœืื—ืจ ืฉื‘ื ื™ ืžืฉืคื—ืชื” ื ืจืฆื—ื• ืขืœ ื™ื“ื™ ื”ื’ืกื˜ืืคื•. ืžื›ืืŸ ืžืชื—ื™ืœ ืงืจื‘ ืงื ืื” ื‘ื™ืŸ ืขื•ื‘ื“ ื”ืžื›ื‘ืกื” ืœื‘ื™ืŸ ืื—ื™ื•, ืฉื”ื•ื ื’ื ืžืฉืชืฃ ืคืขื•ืœื”.
results.listIds.director : Christian Faurรฉ
results.listIds.year : 2005
results.listIds.duration : 103
ื”ื•ืžื•ืกืงืกื•ืืœื™ื ื•ืœืกื‘ื™ื•ืช
ืจื“ื™ืคื•ืช
ืจื“ื™ืคื•ืช ื™ื”ื•ื“ื™ ืฆืจืคืช
ืจื“ื™ืคื•ืช ื™ื”ื•ื“ื™ื
ึน
We Were Marked with a Big A
Documentary film about the gay survivors of Nazi Germany, including interviews with three gay survivors. As many as 15,000 homosexuals were sent to concentration camps, targeted by the Nazis as subversives. The "A" which stood for "Arschficker" (Assfucker) refers to a symbol that pre-dated the pink triangle which gay prisoners were forced to wear.
results.listIds.director : Elke Jeanrond, Joseph Weishaupt
results.listIds.year : 1991
results.listIds.duration : 45
results.listIds.lang : Dutch
ื”ื•ืžื•ืกืงืกื•ืืœื™ื ื•ืœืกื‘ื™ื•ืช
ืจื“ื™ืคื•ืช
ึน
Venetian Heat
1943, ืื™ื˜ืœื™ื”, ืžื—ื•ื–ื•ืช ื”ื›ืคืจ ืฉืœ ื•ื ืฆื™ื”. ื”ืžื“ื™ื ื” ืกื•ืขืจืช ื‘ืขืช ืฉืžืžืฉืœืชื• ืฉืœ ืžื•ืกื•ืœื™ื ื™ ืžืื‘ื“ืช ื›ื•ื— ื•ืคืœื™ืฉืชื• ืฉืœ ื”ื™ื˜ืœืจ ืงืจื•ื‘ื” ืžืชืžื™ื“. ื—ื™ื™ืœื™ื ืžืคื•ื—ื“ื™ื ื‘ื•ืจื—ื™ื ืžืขืžื“ื•ืชื™ื”ื ื‘ืžืงื•ื ืœืœื—ื•ื ืœืžืขืŸ ืฉืœื˜ื•ืŸ ืฉื‘ื• ื”ื ื›ื‘ืจ ืื™ื ื ืžืืžื™ื ื™ื. ืขื ื”ื’ื™ืขื ืฉืœ ืฉื ื™ ืขืจื™ืงื™ื ืœื—ื•ื•ื” ืžื‘ื•ื“ื“ืช ื ืงื˜ืขืช ื—ืชื•ื ื” ืฉืœ ื–ื•ื’ ืฆืขื™ืจ. ื“ืจืžื” ืจื•ืžื ื˜ื™ืช ืžืชืคืชื—ืช ื‘ืขืช ืฉื”ื—ื™ื™ืœ ื”ืฆืขื™ืจ ืžืชื—ื™ืœ ืจื•ืžืŸ ืขื ื”ื›ืœื” ื•ื”ืฉื ื™ ืžืขื•ืจืจ ื‘ื—ืชืŸ ืชืฉื•ืงื” ื‘ืœืชื™ ืžื•ื›ืจืช. ื”ืื ื™ื›ื•ืœื” ืื”ื‘ืชื ืœืฉืจื•ื“ ื‘ื–ืžื ื™ื ืฉืœ ืื™-ืกื•ื‘ืœื ื•ืช ืœื”ื•ืžื•ืกืงืกื•ืืœื™ื, ืื• ืฉื”ืคื ื˜ื™ื•ืช ืฆืจืช ื”ืื•ืคืงื™ื ืฉืœ ื”ื ืืฆื™ื, ื”ืคืฉื™ืกื˜ื™ื ื•ื”ื›ื ืกื™ื™ื” ื”ืงืชื•ืœื™ืช ื™ืคืจื™ื“ื• ื‘ื™ื ื™ื”ื? ื”ืกืจื˜ ืžื‘ื•ืกืก ืขืœ ืกื™ืคื•ืจ ืฉื”ื™ื”, ื•ื”ื•ื ื—ื•ืฉืฃ ืืช ื”ืืžืช ืขืœ ื”ืฉื•ืื” ืฉืœ ื”ื”ื•ืžื•ืกืงืกื•ืืœื™ื. ืกืจื˜ ืžื–ืขื–ืข ืขืœ ืชืฉื•ืงื” ื•ืขืœ ืื”ื‘ื”, ืœืขื•ืžืช ืฆื‘ื™ืขื•ืช ื•ืฉื ืื”.
results.listIds.director : Claudio Macor
results.listIds.year : 2005
ื”ื•ืžื•ืกืงืกื•ืืœื™ื ื•ืœืกื‘ื™ื•ืช
ึน
ืœื”ื™ื•ืช ืื• ืœื ืœื”ื™ื•ืช
ืฉื—ืงืŸ ืคื•ืœื ื™ ื’ืจื•ืข ืžื ืกื” ืœื”ืฉืชื›ืจ ืœืžื—ื™ื™ืชื• ื›ืฉืžืœื”"ืข ื”-2 ืคื•ืจืฆืช ื‘ื“ืžื•ืช ืคืœื™ืฉื” ืœืืจืฆื•. ืืฉืชื• ื ื•ื”ื’ืช 'ืœื‘ื“ืจ' ืงืฆื™ื ื™ื ืคื•ืœื ื™ื ืฆืขื™ืจื™ื ื‘ืฉืขื” ืฉื”ื•ื ืžื•ืคื™ืข ืขืœ ื”ื‘ืžื”, ื•ื’ื ื–ื” ืžืงื•ืจ ืœื“ื™ื›ืื•ืŸ ืขื‘ื•ืจื•. ื›ืฉืื—ื“ ื”ืงืฆื™ื ื™ื ื—ื•ื–ืจ ืžืฉืœื™ื—ื•ืช ืกื•ื“ื™ืช, ื”ืฉื—ืงืŸ ืชื•ืคืก ื™ื•ื–ืžื” ื•ืžืฆื™ืข ืชื›ื ื™ืช ื”ื™ืžืœื˜ื•ืช ืœืฉื ื™ื”ื.
results.listIds.director : Alan Johnson
results.listIds.year : 1983
results.listIds.duration : 107
results.listIds.lang : English, Polish
ื”ื•ืžื•ืกืงืกื•ืืœื™ื ื•ืœืกื‘ื™ื•ืช
ืจื“ื™ืคื•ืช
ึน
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