the church painter's subversion of fascism ; the ideological marking of space along the Slovene-Italian border
Pelikan, Egon
"When Europe fell prey to totalitarian regimes in the twentieth century, the Slovene artist Tone Kralj responded to the cruellest oppression by systematically depicting his own and his community’s resistance against Fascism and Nazism in public spaces, under the very nose of the regime. As incredible as it may seem, the regime never discovered and punished his rebellious actions. The painter embedded his ideological subversion of Fascism and Nazism in wall paintings in more than fifty Catholic churches along the Slovene–Italian ethnic border, thus disseminating his subversive message among the people with whom he shared the same cultural memory. With many of them covering a surface area of several square metres, the church paintings introduced Hitler and Mussolini into Biblical visual narratives, portraying the two dictators with irony and grotesqueness as villainous Biblical characters, often in the role of hangmen, murderers or clowns. The symbols of their regimes were incorporated into Biblical scenes depicting eschatological dimensions of the struggle between good and evil, thus spreading – in the time of the most brutal fascistization – the painter’s firm belief in the historical downfall of the Fascist and Nazi regimes".
Details
Subjects
Local Number
2020-2424
Author
Pelikan, Egon
Publication Place
Oxford, United Kingdom
Publisher
Peter Lang
Year
2020
Pages
xxviii, 307 pages
Collation
illustrations (colored), maps, portraits
Series
Cultural memories
Language
English
ISBN
9781789971491
Digital Object Note
Paperback edition
This book was donated to the Yad Vashem Library in memory of Yehuda Schwarzbaum (1930-2011), his parents Akiva and Chaya and his younger brothers Menachem Mendl and Avraham who were murdered in the Shoah
Bibliographical Note
Includes bibliographical references (pages [289]-296) and index